Ambient sounds mod for minecraft 1.17.1/1.16.5/1.15.2

Listening to ambient sound during music playback (Ambient Sound Mode)

You can hear ambient sound through the microphones embedded in the left and right units of the headset while enjoying music.

Press the CUSTOM button while the noise canceling function is on.

To change the setting of the Ambient Sound Mode

You can change the settings of the Ambient Sound Mode by connecting the smartphone (with the “Sony | Headphones Connect” app installed) and the headset via Bluetooth connection.

Voice focus: Unwanted noise will be suppressed while announcements or people’s voices are picked up, allowing you to hear them as you listen to music.

To turn off the Ambient Sound Mode

Press the CUSTOM button repeatedly until the Ambient Sound Mode is turned off.

Each time the button is pressed, the function switches as follows and is announced by the voice guidance.

The noise canceling function: OFF/The Ambient Sound Mode: OFF

The noise canceling function: ON

The Ambient Sound Mode: ON

Hint

Ambient Sound Mode settings changed with the “Sony | Headphones Connect” app are stored in the headset. You can enjoy music with the stored settings of the Ambient Sound Mode even when the headset is connected to other devices which do not have the “Sony | Headphones Connect” app installed.

Note

• Depending on the ambient condition and the type/volume of audio playback, the ambient sound may not be heard even when using the Ambient Sound Mode. Do not use the headset in places where it would be dangerous if you are unable to hear ambient sounds such as on a road with car and bicycle traffic.
• If the headset is not worn properly, the Ambient Sound Mode may not work correctly. Wear the headset properly.

• If the CUSTOM button is set as the Google Assistant button, the noise canceling function and Ambient Sound Mode cannot be switched from the headset. In this case, you can change the settings of the noise canceling function and Ambient Sound Mode with the “Sony | Headphones Connect” app.

• If the CUSTOM button is set as the Amazon Alexa button, the noise canceling function and Ambient Sound Mode cannot be switched from the headset. In this case, you can change the settings of the noise canceling function and Ambient Sound Mode with the “Sony | Headphones Connect” app.

• Depending on the surrounding environment, wind noise may increase when the Ambient Sound Mode is turned on. In that case, cancel the voice focus with the “Sony | Headphones Connect” app. If the wind noise is still significant, turn off the Ambient Sound Mode.

Mood algorithm[]

Mood ambience sounds occur based on a «mood» percent value between 0–100. The mood increases when the player is in a cave or in a dark place, and decreases otherwise. When the mood reaches 100%, one of the sounds plays randomly, resetting the mood to 0% and thus restarting the cycle. The darker it is, and the more non-transparent blocks there are, the quicker the mood increases. in Java Edition, the current mood value appears on the debug screen.

This is the simplified algorithm for computing this value in pseudocode:

updateMood(mood):
    tickDelay = 6000
    maxLightLevel = 15
    block = select a random block in a 17×17×17 block cube centered around the player
    skyLight = block.getSkyLightLevel()

    if (skyLight > 0):
        mood = mood - (skyLight / maxLightLevel) * 0.015
    else:
        blockLight = block.getBlockLightLevel()
        mood = mood - (blockLight - 1) / tickDelay
    
    if (mood ≥ 1.0):
        player.playSpookySound()
        mood = 0.0
    else if (mood < 0):
        mood = 0.0

This method is called once every tick. It selects a random block in a 17×17×17 area centered around the player’s eye position, and alters the mood value accordingly:

• If the selected block has sky light, it decreases the mood by 1⁄₁₀₀₀ per sky light level.
• If it has a block light level above 1, it decreases the mood value by (block light level — 1)⁄₆₀₀₀.
• If the block light level is 0, it increases the mood value by 1⁄₆₀₀₀.

This means that if you are in complete darkness and there are no lit blocks around you, an ambient noise will play every 6000 ticks (5 minutes).

Since non-transparent blocks are considered to have a sky and block light level of 0, the mood value increases especially fast if you’re in a cave.

Tips for Using Ambient Background Tracks

Often overlooked, audio is one the most important aspects of any project. Image via edwardolive.

Here are five quick tips to keep in mind when working with ambient background tracks like the TOTALLY FREE ambient background tracks at the bottom of this article.

1. Download and Review

Okay, obviously you have to find the tracks, download them, and listen to them. Give them a quick play-through to get an idea of their quality and potential use cases, and make sure the tracks don’t have any noisy blemishes, odd sounds, or audio tags/watermarks. 

2. Find Your Favorite Stretch

Open the files in your video editing software (or audio editor) of choice, and find your favorite stretch. That might be a five-second clip or a fifty-second one, depending on your needs. With your favorite part identified, now it’s time to—

3. Create Your Own Loops

Extend your audio capacity by looping the tracks. Image via Marmolejos.

It’s time to start cutting. If you want to use the background audio over an extended period of time—say, anything over two or three minutes—then you’ll probably want to loop the audio. Using your favorite section, just copy and duplicate that stretch over and over, using cross fades to link everything together.

4. Match to Your Video

Once your background audio is ready to go, be sure to (of course) match it up with your video. Ideally, you’ve already done all your video editing and are at picture lock. You’ll obviously only want your background audio to be heard when appropriate, corresponding to what’s on screen.

5. Adjust Levels and Effects

Finally, once everything is laid out and set, you can go in and make your final level adjustments. Unless a scene or project calls for any background audio to be super noticeable, you really want the audio levels to be quite low, creating a soft hum in the background which simply adds to the ambiance.

You can also try out some other effects—like high-pass or low-pass filters—to make the audio feel either closer by or further away, but most of the time simply adjusting the levels should be fine.

When to Use Ambient Background Audio

The question: When is the “right” time to use an ambient background track? The answer: Most of the time.

When deployed thoughtfully, ambient audio makes an on-screen world deeper, richer, and more true to life. Here are a few content types that can benefit from ambient background tracks:

• Narrative shorts and features: Ambient background tracks give most scenes and settings a more diverse, dynamic backdrop that, in turn, places your characters (and pulls your audience) into a more fully realized world.
• Documentary projects: Ambient background tracks for documentary work can be kind of controversial, as you’ll always want to use true audio recorded in the moment when possible. However, there are instances when scene creation is needed, and these tracks can help provide a sense of realism. 
• Commercial projects: It might surprise you to learn that many commercials (even broadcast ones that you see on TV) use ambient background tracks and audio to quickly root scenes in their specific reality.
• Corporate projects: Similarly, corporate videos and projects use ambient noises and sound effects to make mundane office settings feel bustling, as though real work is being done in the background.
• Digital content: Finally, using ambient audio and sound effects is a fast, easy way to make TikToks, Instagram Stories, and other digital creations feel “bigger.”

Where to Find Ambient Background Tracks

Background tracks are a necessity! Unless you’re going for the No Country for Old Men vibe. Image via George Khelashvili.

Now, let’s move on to where to find ambient background audio and tracks online—for FREE! I recommend searching for tracks in the super-robust PremiumBeat music library, but we’ll get you started with the freebies below.

Here’s what you’ll get when you download this collection of FREE ambient background tracks:

• Bird ambience
• Busy city street
• Campfire
• Car interior
• Coffee shop
• Electric hum
• Forest 1
• Forest 2
• Helicopter
• Ocean waves
• Plane
• Rumble
• Street traffic
• Thunderstorm
• Windy desert

To download the ambient background sound pack, simply click the download button below! These sound effects are free to use in any personal or commercial projects. By downloading, you agree not to resell or redistribute these free assets. 

Download Ambient Background Tracks Here

For more freebies, audio tips and tricks, and related filmmaking resources, check out these articles:

• Datamoshing 101: How to Make Your Footage Look Trippy
• The 5 Best Free Audio Editing Programs Available
• Download 28 FREE Firework Sound Effects for Your Next Project
• 14 Effects Tutorials Inspired by Marvel’s Loki, WandaVision, and More
• Over 280 Free Sound Effects for Videos, Apps, Films, and Games

Cover image via Marmolejos.

Arguments[]

JE: : BE: :

Specifies the sound to play.

In Bedrock Edition, it must be either a single word (no spaces) or a quoted string. Can be a sound event defined in (for example, ).

In Java Edition, must be a resource location. Can be a sound event defined in (for example, ).

A sound event may be affiliated with multiple sounds, and the sound that is actually produced is chosen at random from them, modified by their «weight», just as the game normally would. For example, the sound event plays one of several pig sounds at random, because the event has multiple sounds associated with it.

Resource packs may add their own events to sounds.json; the command successfully plays these. File names are not used by this command; it strictly uses the events defined in sounds.json (which may not even be similar to the original file names and paths), and thus a resource pack adding new sound files must define events for them (this is not necessary when replacing old sounds already defined in events).

JE:

Specifies the music category and options the sound falls under. Must be , , , , , , , , , or .

JE: : BE: :

Specifies the sound’s target.

Must be a player name, a target selector or a UUID. And the target selector must be of player type.

JE: : BE: :

Specifies the position to play the sounds from.

Must be a three-dimensional coordinates with floating-point number elements. Accepts .

JE: : BE: :

Specifies the distance that the sound can be heard. If not specified, defaults to 1. For values less than 1, the volume diminishes. For values greater than 1, the sound does not actually grow louder, but its audible range (a 16-block radius at 1) is multiplied by volume. There is always a gradual falloff to silence based on distance from the center of the sphere. For values equal to or less than 0, no player can hear the sound.

Must be a Single-precision floating-point format number. In Java Edition, it must be greater than or equal to 0.0.

JE: : BE: :

Specifies the pitch of the sound. If not specified, defaults to 1.

Must be a Single-precision floating-point format number. In Java Edition, it must be between 0.0 and 2.0 (inclusive).

In Java Edition, values less than 0.5 are equivalent to 0.5. Values lower than 1 lower the pitch and increase the duration; values greater than 1 raise the pitch and reduce the duration. The pitch value is a multiplier applied to the frequency, so if a value from 0.5 to 1 is doubled, the pitch goes an octave higher. (See for converting other intervals to pitch values, but be aware that 1 isn’t F♯ for all sound effects.)

In Bedrock Edition, only values between 0 and 256 work. Values above 256 are equivalent to the default value; values less than or equal to 0 makes the sound inaudible.[more information needed]

JE: : BE: :

Specifies the volume for targets outside the sound’s normal audible sphere. If a target is outside the normal sphere, the sound is instead centered some short distance (two blocks away) from the target, and this argument determines its volume. If not greater than 0, targets outside the normal audible sphere cannot hear the sound.

If not specified, defaults to 0.0.

Must be a Single-precision floating-point format number. In Java Edition, it must be between 0.0 and 1.0 (inclusive).

Trivia[]

Cave 14 viewed in a spectrogram.

• When «Cave 14» is viewed in a spectrogram, it appears to show the face of a creeper.
• Cave ambience is the only ambience that has subtitles.
• «Basalt Deltas click» is likely based on the sound a Geiger counter makes when in the presence of radiation, despite neither Geiger counters nor radiation existing in vanilla Minecraft.
• «Cave 1,5, and 13» can also be heard in lower pitches. The pitch can range from 0.65x to 1.00x.
• «Cave 5 and 13» also sound a little similar, but they are played with different speeds. Also the sound for «Cave 5» sounds like a low-ringing bell while «Cave 13» sounds like an intense brush of wind.
• Although the mood algorithm works in all vanilla dimensions since Java Edition 1.16, due to the mood system isn’t programmed properly for the End ambience sounds to be played in the End, so the Overworld cave ambience sounds could be played in the end instead.[verify]
• «Warped Forest Mood 9» is actually a slowed-down and reverberated idle sound of the witch.

Add depth and real-world atmosphere to every scene with these 100% FREE ambient background noise tracks!

Of all the “secrets of the trade” found within the filmmaking bag of tricks, there are few tools more handy than the often-overlooked ambient audio background track. Dropping one into your timeline can immediately add a level of rich, real-world atmosphere to your video projects. Additionally, you can use them to cover up audio blemishes like hums, hisses, and pops.

While it will always be best practice to record room tone and ambient audio on location, it’s a step that can easily be overlooked or forgotten. No worries—your pals here at PremiumBeat have got you covered with fifteen 100% FREE ambient background tracks! (SPOILER ALERT: They’re at the bottom of the article.)

Now, let’s look at the hows, whys, whens, wheres, and wows of working with ambient audio.

Listening to ambient sound during music playback (Ambient Sound Mode)

You can hear ambient sound through the microphones embedded in the left and right units of the headset while enjoying music.

Tap the touch sensor on the left unit while the noise canceling function is on.

To change the setting of the Ambient Sound Mode

You can change the settings of the Ambient Sound Mode (Normal mode/Voice mode) by connecting the smartphone (with the “Sony | Headphones Connect” app installed) and the headset via Bluetooth connection.

Normal mode: While enjoying music, you can hear the surrounding sound as if you were not wearing the headset.

Voice mode: While enjoying music, you can pick up the sound (such as announcements in the train) that you want to hear.

To turn off the Ambient Sound Mode

Tap the touch sensor on the left unit to turn off the Ambient Sound Mode.

Each time you tap, the function switches as follows.

Noise canceling function: ON

You will hear the voice guidance say, “Noise canceling”.

Ambient Sound Mode: ON

You will hear the voice guidance say, “Ambient sound”.

Hint

• Ambient Sound Mode settings changed with the “Sony | Headphones Connect” app are stored in the headset. You can enjoy music with the stored settings of the Ambient Sound Mode even when the headset is connected to other devices which do not have the “Sony | Headphones Connect” app installed.
• You can select one of the following on the “Sony | Headphones Connect” app to set how you want the functions to change when you tap the left unit of the headset.
  • Noise canceling function: ON Ambient Sound Mode: ON Noise canceling function: OFF/Ambient Sound Mode: OFF
  • Noise canceling function: ON Ambient Sound Mode: ON
  • Ambient Sound Mode: ON Noise canceling function: OFF/Ambient Sound Mode: OFF
  • Noise canceling function: ON Noise canceling function: OFF/Ambient Sound Mode: OFF

Note

• Depending on the ambient condition and the type/volume of audio playback, the ambient sound may not be heard even when using the Ambient Sound Mode. Do not use the headset in places where it would be dangerous if you are unable to hear ambient sounds such as on a road with car and bicycle traffic.

• Depending on the surrounding environment, wind noise may increase when the Ambient Sound Mode is turned on. In that case, change the settings from Normal mode to Voice mode using the “Sony | Headphones Connect” app. If the wind noise is still significant, turn off the Ambient Sound Mode.

• If the headset is not worn properly, the Ambient Sound Mode may not work correctly. Twist the headset to put it into your ears properly.
• Do not cover the microphones on the left and right units of the headset with your hands. If they are covered, the effect of noise canceling function or Ambient Sound Mode may not perform properly, or a beeping sound (feedback) may occur. If any of this is the case, remove your hands, etc. from the left and right microphones. This headset is equipped with the function to detect a beeping sound (feedback) and cancel the sound in a short time. In rare cases, the noise canceling function or the Ambient Sound Mode may temporarily stop in reaction to a high note such as an alarm or an electronic sound, but the noise canceling function or the Ambient Sound Mode will automatically return in about a second.
• If the Ambient Sound Mode is enabled in a rather noisy environment, a noise may be heard. This is not a malfunction. In this case, set the noise canceling function to ON or set the noise canceling function and the Ambient Sound Mode to OFF.

Ambient Sound Configuration

The ambient sound configuration screen, shown when first creating an ambient sound, or by double-clicking an existing sound.

Sound Type

Configure the type of sound emitted by this source. Ambient Sounds can either be local which are blocked by any Walls which inhibit perception or global which are always audible within their area regardless of the presence of Walls.

Audio Source

You must choose a path to a valid sound file which plays when Tokens are within the area of effect. Ambient Sounds always repeat on loop, so it is recommended to use a format like webm, wav, or ogg which allows for seamless looping, but other audio file formats are also supported.

X & Y Position

The x/y coordinates for the center of the Ambient Sound area of effect give the precise location of the emitter in a scene. All newly created sounds have these fields automatically filled in based on where in the scene the sound was created. Repositioning the sound in the scene also changes these values automatically.

Sound Radius

The radius of the area of effect for the Ambient Sound, expressed in distance units. For example, if your Scene is configured where each square represents 5ft.

Volume Easing

This option specifies that the volume of the Ambient Sound should automatically reduce as Tokens are further from its origin (but still within the area) and increase in volume when Tokens are closer to the origin of the sound. If this option is disabled, the volume level of the Ambient Sound will be the same everywhere within the affected area.

Maximum Volume

This slider configures the maximum volume level of the Ambient Sound at its point of origin (if easing is applied) or throughout the area (if no easing).

Darkness Activation Range

These fields configure the darkness levels in which the Ambient Sound plays. The default setting of between 0 and 1 results in a sound that is always playing.

Overview

Foundry Virtual Tabletop allows for local ambient sound effects which are activated when a player-controlled Token is moved into its area of effect. This can be useful for environmental features like a waterfall or a crackling campfire which your players will be able to hear when their Tokens are nearby.

Create an Ambient Sound using a left-mouse drag workflow on the Sounds Layer.

Ambient Sounds are created by navigating to the Sounds layer of the active Scene by clicking on the musical notes icon in the Scene control palette. While on the Sounds layer, you can create a new Sound by using a left-click and drag workflow to expand the area of effect (you can change it later). Once you are done dragging the Sound Configuration form will appear. You must select a sound file to play in order to complete the creation. The Sound Configuration shown in the following figure and its configuration options are explained below:

Modifying Placed Sounds

After an Ambient Sound has been created, you can edit it later by double clicking on its control icon that is visible when on the Sounds Layer. To move the position of an existing Ambient Sound you can click and drag its icon to move it. You may also use and commands to copy and paste sounds.

Players can control the volume level of playing Ambient Sounds using the global Ambient slider in the Playlists tab of the Sidebar.

Note that Ambient Sounds always loop if a Token is within their area of effect. If you are interested in one-time audio effects which play at a certain time that will be handled by the Event Trigger system, a post-release feature that is not yet added.

Muting Placed Sounds

Once an Ambient Sound has been created, you can mute/un-mute it by right-clicking on the icon for the emission point when on the Sounds Layer.

Previewing Placed Sounds

Once an Ambient Sound has been created, you can toggle the preview audio feature from the Sounds Layer tool bar. While this is toggled your mouse cursor will be treated as an actor on the canvas, allowing you to hear sounds based on where it is in the scene. This is useful for quickly checking how a scene would sound based on current ambient sound placement and settings. Please note that this toggle remains even if you switch to a new layer.

History[]

Пещерные звуки

Пещерные фоновые звуки, или жуткий шум (согласно субтитрам), — это звуки, которые могут воспроизводиться, когда игрок находится в тёмной области или под землей. Всего существует 19 различных пещерных звуков.

Возникнуть пещерные звуки могут в любое время, в любом измерении, в любом свободном от блоков пространстве, при уровне освещения ниже 8. Звуки можно услышать, находясь в 10—20 блоках от источника звуков в любом направлении, при этом точка-источник может быть в непосредственной видимости игрока. Также условия для воспроизведения звуков можно воспроизвести, иными словами, определение допустимых точек-источников пещерных звуков основывается на текущей, а не изначальной, геометрии мира.

Проигрывание пещерных фоновых звуков зависит от уровня настроения. Настроение (от англ. mood) — это значение в процентах от 0 до 100. Когда игрок находится под землёй или в тёмном месте, уровень настроения увеличивается, а когда нет — наоборот, снижается. Если уровень настроения достигнет 100 %, проигрывается один из пещерных звуков, после чего значение настроения аннулируется и цикл повторяется заново. Настроение и его текущее значение можно увидеть на экране отладки.

Пещерные фоновые звуки можно найти по пути . В самой игре тон звука может меняться в некоторых пределах.

Underwater ambience[]

This feature is exclusive to Java Edition. 

Not to be confused with the sound produced by flowing water.

Underwater ambience plays while the player’s head is underwater. There are 22 different underwater ambience sounds in total.

They can be heard within a body of water of any size and in any dimension.

Underwater ambience is divided into two groups: «Loop» and «Loop Additions». Both of these play independently of each other while player is underwater. Additionally, «Loop Additions» are divided into 3 more groups.

Its code name is ambient.underwater.<group code name>

Note that Rare Loop Addition’s and Ultra Rare Loop Addition’s rarity is exaggerated in their name. Their names are derived from their in-game code names.